Wish to see more me ?! (that’s unusual of you) … If so, after that click below!
Vlog network: https://www.youtube.com/@MissRBaller
Podcast Channel: @RachelsPodcasts
Want to see more me?! (that’s weird of you)… If so, then click below!
Vlog channel: https://www.youtube.com/@MissRBaller
Podcast Channel: @RachelsPodcasts
Today I examine a brand-new budget plan program dynamic mic, the sE Electronics DCM 3 and DCM 6. The DCM 3 is rather equivalent to various other $100 “broadcast” characteristics, but the DCM6 has a constructed in mic activator that makes it louder than a condenser!
NOTE (FULL DISCLOSURE): If you purchase a thing using an affiliate web link, it offers me a tiny recommendation fee. As an associate, I earn from certifying purchases. For more info examine my FAQ page links below.
Today I review a new budget broadcast dynamic mic, the sE Electronics DCM 3 and DCM 6. The DCM 3 is pretty comparable to other $100 “broadcast” dynamics, but the DCM6 has a built in mic activator which makes it louder than a condenser!
NOTE (FULL DISCLOSURE): As an associate, I earn from qualifying purchases. For more info check my FAQ page links below.
RECORDING SETTINGS:
Interface: Focusrite 18i20 2nd Gen
Gain: ~8:45
Boosted in Post: 3dB
Bit-Depth: 24-bit
Sample Rate: 48kHz
00:00 – Intro / Price / Disclaimer
00:22 – Setup
00:56 – What’s in the Box
01:23 – Build Quality / Walkthrough
02:05 – Specifications
02:46 – Polar Pattern Test (Tone / Rotation)
03:06 – Plosive Test
03:18 – Distance Test / Proximity Effect Test
03:47 – Background Noise Test
04:11 – Untreated Room Test
04:32 – Shock Rejection Test
04:48 – Mic Resonance Tap Test
05:03 – Foam Windscreen Tone Test
05:42 – Intro to Comparison
06:09 – Behringer XM8500 Comparison
06:28 – Shure SM58 Comparison
06:47 – sE Electronics V7 Comparison
07:11 – sE Electronics DCM3 Comparison
07:30 – Rode Pod Mic Comparison
07:50 – Elgato Wave DX Comparison
08:15 – Audio Technica AT2040 Comparison
08:38 – Presonus PD-70 Comparison
09:08 – MXL BCD-1 Comparison
09:35 – Shure MV7x Comparison
10:08 – sE Electronics Dynacaster Comparison
10:46 – Electro Voice RE320 Comparison
11:14 – Logitech Blue Sona Comparison
11:42 – Shure SM7b Comparison
12:13 – Electro Voice RE20 Comparison
12:39 – Neumann U87 Ai Comparison
13:26 – Music Test
14:58 – Pros & Cons
15:47 – Overall Thoughts & Opinions
18:28 – Recommendation
20:10 – Outro
#BroadcastDynamic #Streamer #MicReview
NOTE (FULL DISCLOSURE): If you purchase an item using an affiliate link, it provides me a small referral fee. As an associate, I earn from qualifying purchases. For more info check my FAQ page links below.
Yes, another fine production of Vintage electronics Basic Training, Air Force style! Lets follow Fred’s step by step procedure and isolate the fault resulting in a dead Fender Blackface twin! The Defcon level is medium risk. The amp has been assigned a Broken Arrow by Fink. Watch and follow along as we troubleshoot and reveal the culprit. This video is part of a series to teach a common approach to repairing old electronics items, This time a Fender Twin tube guitar amp. Let me know if you enjoy this format and more shall follow. Remember, tell your friends, Subscribe and if you wish–https://www.patreon.com/dlab_electronics
Learn how to accurately align an encoder to a servomotor in less than one minute using TI-5000EX. Visit http://www.mitchell-electronics.com for more information.
Narration Text:
“To align this encoder we lock up the motor by applying a positive polarity on U and a negative polarity on V. Then we adjust the encoder until the angle is correct for the given motor. For this motor it should read 150 electrical degrees. Once the angle is correct, tighten down the encoder. We always check one additional lockup position to confirm that we had selected the proper number of poles and the proper forward direction. For this motor the +U-W position should happen at an angle of 210 electrical degrees. The motor jogs to the next position which is approximately 210 (within a margin of error).
“V100 Mandello is unquestionably one of the most technically innovative Moto Guzzi ever” Piero Soatti, Head of Moto Guzzi Design tells us exactly how the electronic devices on the V100 Mandello purpose to optimize the man-bike feeling.
Test launch of a capacitor powered paper rocket. The launch control facility (LCF) is controlled by an Allen Bradley PLC. 1st attempt failed. Unfortunately the rocket was not able to leave the launch pad. After some advice from fellow YT’ers, I was able to redesign the launch pad, removing the booster from the rocket and incorporating it onto the launch pad. This reduced payload and allowed for a flawless launch! Some of you did not see the value/fun of this experiment. Sorry, but it was fun and educational for me. Thank you to all that have an open mind. Would you like to see another test launch? Happy Halloween from D-Lab!
Test launch of a capacitor powered paper rocket. The launch control facility (LCF) is controlled by an Allen Bradley PLC. 1st attempt failed. Unfortunately the rocket was not able to leave the launch pad. After some advice from fellow YT’ers, I was able to redesign the launch pad, removing the booster from the rocket and incorporating it onto the launch pad. This reduced payload and allowed for a flawless launch! Some of you did not see the value/fun of this experiment. Sorry, but it was fun and educational for me. Thank you to all that have an open mind. Would you like to see another test launch? Happy Halloween from D-Lab!
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